My thoughts landed on Pitchfork’s now-infamous 1997 dismissal of Zaireeka, which has since been removed from the site. (It’s archived here.) The writer, Jason Josephes, blasted the album as inconvenient and unreasonably demanding, as he wasn’t able to get ahold of four CD players and hear the album as it’s meant to be heard. Had he had the time or resources to do so, though, he may well have been struck by the remarkably unique listening experience it affords. The boomer generation might instead recall Rolling Stone’s regrettably icy 1971 assessment of Sticky Fingers, granting the album zero stars. And Laughing Stock wasn’t critically embraced until the late 1990s or so.